The Caribbean Gothic Down Under: Caribbean Influences in Marianne de Pierres’ Parrish Plessis Novels

It’s always so humbling to have your work critically explored. This was from a couple of years ago. Though not the Sentients of Orion series, thought I’d share it for those interested in deeper connections to science fiction.

Dr Gerry Turcotte, who is the current President & Principal, St Mark’s College & Corpus Christi College, Vancouver, wrote this research paper, which was published in 2018 in the journal Caietele Echinox. Here is the description from the citation.

The Caribbean Gothic Down Under: Caribbean Influences in Marianne de Pierres’ Parrish Plessis Novels

Author(s): Gerry Turcotte
Subject(s): Studies of Literature
Published by: Fundatia Culturala Echinox
Keywords: Caribbean Literature; Marianne de Pierres’ Parrish Plessis; Gothic; Science Fiction; Indigenous Identity Politics;

Summary/Abstract: This paper investigates the way voodoo, postcolonial theory, Indigenous spirituality and Caribbean culture are brought together to discuss contemporary and future race politics down under in the novel Nylon Angel, Code Noir and Crash Deluxe. Marianne de Pierres’ Parrish Plessis books are edgy, street-smart science fiction novels set in a future Sydney where government has effectively collapsed, media controls its citizenry and gangs vie for control of the streets. In some ways it appears a fairly typical model for SF writing, except that de Pierres has invested great effort in the delineation of racially complex groups. Of these, the encounter between Caribbean (and Voodoo), shamans, and Indigenous Kaidaitcha men, makes for are freshing, but uncomfortable, contemporary negotiation of race politics in Australia.